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The Book of Philadelphia

By Robert Shackleton

©1918

The Penn Publishing Company

Philadelphia

 

Chapter VIII

 

OLD SECTIONS OF THE CITY

 

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NLY gradually does one come to realize, even though familiar with the city for years, that Philadelphia retains much more of the old, in buildings, than does any other American city. Much of the old is shabby, but shabbiness is a frequent adjunct of age, especially of a city's age. In Philadelphia there gradually comes the impression of square miles of buildings, shabby with time and desertion; and then one begins to pick out here and there, buildings of especial interest, and to visualize the days that are gone; and at the same time one realizes that much of the city's present-day prosperity is directly dependent upon these shabby-seeming streets. One is apt for a time to have an impression of a wilderness of gray despair and disrepair. But although there is much of the shabby poor, there is also a great deal of shabby comfort, in the ancient quarters. And at

 

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any moment one may come upon the fascinating. There still stands the home of the Reverend Robert Blackwell, of the New York family who owned Blackwell's Island, which long ago became a spot of associations anything but churchly. This Blackwell who came to Philadelphia was the wealthiest of clergymen in America and one of the wealthiest men of this wealthy city. His home, at 224 Pine Street, was one of the splendid homes of the time. It is now sadly wrecked, it is dirty, dilapidated and dingy, and much of its splendid interior panelings and ornamentation have been torn out and carried away. Its glory has departed. Yet even now, it can be seen that its outside cornice, facing the street, is of intricate and elaborate design and workmanship; indeed, it was among the few most elaborate cornices of the city.

 

And there is the Powel house, also among the finest of all, at 244 South Third Street, with unusual overmantel in the main bedroom, and unusual paneling; but it is now dingy of aspect, shuttered close, not remindful of its glory when Washington was a guest here, and when John Adams, in one. of those letters of his which are still a gustatory joy, wrote of a dinner here in phrases overflowing with joyful listing of the curds and creams and sweetmeats, the jellies, the tarts the syllabub, the floating island, the cheeses and the drinkables.

 

Among mementoes of the past there are some which, although of unusual interest, are easily and generally and literally overlooked. I mean the old-time footscrapers, of which many are still to be

 

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found, old ones, fine old ones, within the heart of the old portion of the city, built into the sidewalk, at the foot of the house steps.

 

A pair of winged griffins, back to back lion-pawed very strong, particularly pictorial, are near Third and Buttonwood streets. In numerous places there are the old curled-ear, wrought-iron scrapers, of the blacksmith's handiwork. On South Third Street I remember a scraper with classic urn above a hooped-over top; and not far away, on the same street, is one of almost the same design, except that the hooped-over top is taller and more slender.

 

The admirable designs and the variety, make these old Philadelphia foot-scrapers extremely worth while. An interesting scraper on Walnut Street, is another of the hooped-top kind, made by some unknown Peter Visscher of an iron worker, with eight wrought-iron curls upon it which must have, delighted  the artisan's heart and which are a delight to look at to-day. Another on Walnut Street is curiously made, with a wrought rosette on either aide. A pair of very old ones from a pair of bracings for the bottom of the iron balusters of the steps in front of a house on Pine Street.

 

These are but examples. The number of old scrapers still remaining is large and the proportion, of interesting ones is great. And these lowly examples of early artisanship are worthy of search and examination.

 

There is still a great deal of fine old wrought iron work that is more prominent than the scrapers.

 

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There are lovely old iron rails at front doorsteps, many of them with the classic palmette, one of the things which so often make architects refer to things of Philadelphia, little or big, as "pure Greek." Everywhere is the interesting. There are adorable little curving marble steps, ironrailed, rising rather steeply to the doorways; and when they are in pairs, converging to a center, these are house-door approaches of great distinction. There are fanlights, there are pent-eaves, there are pilasters at many a door, and here and there one still may see an old-time knocker. And it is sorrowful to see such a proportion of the old made squalid and sodden by ill-usage. And the squalid so frequently merges into the mere shabby, and alternates with it, that one is constantly liable to confound the two qualities. There are many decent and decorous people living on what at first glance seem altogether dirty and deplorable streets; and there is still much of excellent and prosperous business carried on in shabby old buildings.

 

It is curious, yet one sees how natural it was, that coming to a new country with infinite open space usable, Penn should have planned his new city with many of the streets as narrow as if they were in the close-cramped, walled-in cities of old Europe. He probably thought that he was giving the streets, on  the average, great spaciousness. But his rectangular plan, besides marking out most of the streets with what we deem narrowness, marked also a system of alleys behind all of the streets. They are

 

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still alleys, although in this finical age they are called streets. And, ill-kept though most of them are, they still show, especially two or three running westward from the Delaware River water-front, just north of Market Street, how pleasantly people of moderate means used to live, in these little old houses, still standing, of two-stories and an attic; houses with dormer windows, with projective pent-eaves between the first and second stories, and each with its little doorstep and its solid shutters.

 

Originally, the idea frankly was that the less well to do should frankly accept these less desirable locations, and live in these small houses in the narrow alleys; and the intent also was to make these inferior homes really homelike; and in those early days they were.

 

Numbers of these old alleys—and the system of alleys extended with the extension of the city—are still without sewage connection, even behind some of the fashionable and wealthy streets, and behind prosperous streets of modern business; and until recently there were many more. Some of these old alleys are mediæval in suggestion; both evil and mediæval in unsanitariness, in narrowness, in their rough cobbled paving, in their sharp grading toward the gutter in the center of the roadway; a gutter which is in some alleys the only sewer. Such places as the worst of these, with the narrower alley entrances and the loss of light and ventilation for the homes are paralleled nowhere else in America, and nowhere in England except in dismal Sheffield or some other duke-owned city. The rent roll of great

 

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estates that own the alley properties gives the explanation there, and presumably the same explanation holds to a great extent here; yet assuredly not in all cases.

 

Numbers of these narrow alleys are still close-packed with human life, and in grim correlation, human death; and you may still pick out, here and there, a crowded alley, extremely dirty, with the terrible record of its deaths during the yellow fever scourge of 1793 still kept in mind.

 

In one of these alleys, into which Doctor Rush and Stephen Girard and a few other brave men penetrated during those yellow fever days, freely risking their own lives, tirelessly tending the sick and carrying out the dead on their shoulders, in one of these alleys, now called Spring Street, leading westward from Front Street, a little north of Market, an alley of smells, of roadways uncommonly rough, of small houses, of doddering roof lines and ancient gables, the impression of being set far back into the past comes with curious force. The alley is really among the very oldest and tradition has it that some of the little houses here have been standing for over two centuries, and that to one of them Benjamin Franklin came, as a youth, on his arrival from Boston, and in this house rented a room, and made his first home in Philadelphia. It is one of the unsanitary alleys. It does not run through the block from street to street, but makes a sudden turn to the right, and ends abruptly in this right-angled offshoot; and in this little offshoot is the old house.

 

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And it is a pleasure to see that it is pridefully kept up. It has a brass knocker, and still retains what many a rich house would envy it, one of those ancient bull's-eyes which are year by year growing more rare.

 

There is an undoubted charm about this. The houses themselves are surprisingly clean and attractive, also, as you suddenly notice. In fact, it is a place of contradictions. And although you still see features which you would fain see bettered, there has been a marked holding up of standards along this entire right-angled cul-de-sac. And you find that the properties here are not owned by rich men or by estates, but are individually owned, and mostly by that vanishing race, the Americans, or by old-time Irish, who, in these days of Southern European inundation, seem markedly American.

 

There does not seem to be much actual basis for the Franklin tradition, yet it seems reasonable. Much of the soundest history is necessarily based upon tradition. And in this case I am inclined to accept the tradition because of a touch of verisimilitude, a homely, human touch, which is, that it is still traditionally held that Franklin used to go from here to the then much nearer riverside, and plunge in and take long swims.

 

Franklin used to be a mighty swimmer, and he exulted in his physical prowess; and as life went on, and he acquired medal after medal of honor, from monarchs and societies and public assemblies, for this or that achievement in science or statecraft, a story told of another Philadelphian, also a writer,

 

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might have been put upon him with a different application. For this modern Philadelphian writer, Richard Harding Davis, in the desire to make an effect at same formal reception, pinned across his breast several medals received for achievements in war correspondence or other experiences, whereupon George Ade approached and, running his finger along the line of medals, touching each as if in awe, to the increasing pleasure of the wearer, said at length, with gentle questioning, "Swimming?"

 

Near this probable Franklin locality is one that is associated with Washington. For at the southeast corner of Front and Market streets the buildings now standing thereabouts, although not new, are not of Revolutionary era, and the general aspect has also considerably changed through the filling in and pushing out of the waterfront—to that corner, Washington made a daily habit of going, when he lived in Philadelphia as President of the United States; twelve o'clock was the usual hour, and he would stand, watch in hand, for a moment, comparing his watch with the clock in the window of the clockdealer who then occupied this corner. He was always immaculately dressed; for it was a deep-based belief with him that a man owes it to himself and to his position in life to dress with care, and he felt this the more deeply at a time when he knew that his appearance and personal bearing were of vital importance to a new and struggling nation, in giving it place in the eyes of the world. And it is also still remembered. for tradition has brought it down that

 

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the porters of the then immediate waterside always took off their hats when he came and stood uncovered till he walked away, and that he always lifted his own hat in recognition.

 

Washington, in those Presidential days of Philadelphia, lived in a fine house on the south side of Market Street between Fifth and Sixth streets. It was in that house, long since vanished before the march of business, that he received the terrible news of St. Clair's defeat; maintaining calm during the dinner party that was in progress when the message came, then giving way briefly to wild grief and indignation. It was in that house that Alexander Hamilton, on the day on which he resigned his post as Secretary of the Treasury, picked up a copy of the Constitution of the United States, and said: "So long as we are a young and virtuous people, this instrument will bind us together in mutual interests, mutual welfare, and mutual happiness; but when we become old and corrupt it will bind us no longer. "For the wise men of early days well knew that there were possibilities of disaster which the Constitution, unless backed by the devotion of the country, would be powerless to check. It was in that house that Gouverneur Morris tested his bet that he could be successful in treating Washington familiarly, which nobody had ever done; and so, here it was that, at dinner table, he patted the President on the shoulder and said, "Old gentleman, do you believe that?"—only to be crushed into abjection by Washington's silent look. (Once, at a gathering in

 

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Virginia, where Washington was in the habit of meeting his neighbors as a fellow farmer, it was agreed beforehand that the custom into which they had fallen, of rising at his entrance, be discontinued, and that all keep their seats; but the very moment that he entered, and glanced about the room, every man arose.)

 

The landlord and neighbor of Washington, on Market Street, was Robert Morris; and Morris sold these holdings to put his money into what was to be the grandest of all Philadelphia mansions. He bought the entire block, between Chestnut and Walnut streets, and Seventh and Eighth, and there put such vast sums of money into his new house as utterly to ruin him. The house was never completed; before long it was destroyed for business advancement; and it had an extraordinary quantity of underground structure, with cellars and tunnels and walls and arches; and portions of these underground or semi-underground constructions are still existent and from time to time cause puzzled inquiry.

 

Another Morris house, at 225 South Eighth Street, between Walnut and Spruce, built in 1786, may fairly be deemed the best example remaining of the old-time  excellent town dwelling house of wealth and beauty. Though far from being so old as some, it is of pre-Revolutionary style, and is a broad-fronted building, admirably proportioned, with excellent door and dormers, with windows twenty-four paned and wooden-shuttered; and it contains, as do so many of the houses of this city, a great quantity of old furniture, and old china. It is known as the Morris house,

 

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and has for some generations been owned by a Morris family; but, as with the so-called Morris house of Germantown, it was not built by a Morris nor was it owned by a Morris during the most interesting years of its existence. It stands—an unusual condition for that part of the city— with a garden space on either side of it.

 

And this is remindful of that altogether charming old house, lovingly known as the "Yellow Mansion," which until a few years ago stood, garden-surrounded and tree-shaded, in square-fronted serenity, at Broad and Walnut streets.

 

The early builders were fortunate in their age, for it was an age when it was hard to build unattractively; it was an age of largely unconscious devotion to beauty; these old-time Philadelphians builded* better than they knew, their conscious stone to beauty grew—only the poets "stone" must here be rendered "brick." A universal sense of beauty was diffused, and that is why the Colonial houses of America, or those built near that time and following those ideals, are such models of taste. And it is most satisfactory to find so many of the most beautiful ones still preserved.

 

To seek out the best examples in the old parts of the city, go if possible on Sunday. On weekdays the streets are jammed and cluttered, and there is a roar and thunder of traffic, and you see nothing but the heavy motor-trucks as you cross the streets and the crowded sidewalks as you walk, every moment bumping or bumped if your attention strays from your

 

____________

Transcriber’s Note:  This is not a transcription error.  The word is as it appears in the book.

 

 

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stepping. But on Sunday the entire old-time district is open and deserted, with scarcely a vehicle, scarcely any people on the sidewalks. Every old house is recognizable. You see every worth-while gable and doorway and cornice. On  weekdays, you think there is nothing there to see; on Sundays you realize what a very great deal remains.

 

On South Ninth Street, at No. 260, there are Kingly instead of Presidential memories; for in this house, gray-plastered outside, with its end to the street, with a little portico, with a bow front of wrought-iron, with wistaria clambering about, there lived for a time a man who called himself Comte de Survilliers, but it was no secret that he was really Joseph Bonaparte, formerly King of Spain. The house still contains some fine old furniture of his time, including two fine Empire sofas, and there is a great room still papered with the scenic paper which was on the walls when he lived here, with lovely classic scenes in such soft colorings as now to have become practically black and white.

 

At the northeast corner of Fourth and Arch streets stands an old house, built about 1764, of much dignity and excellent lines; a house of three stories and a dormered attic, and with the line of the front cornice continuing on the side of the house along the base of the gable. And it has long been regarded as the home of the first provost of the University of Pennsylvania, William Smith; although recently some have claimed that his house was in reality the old house on the diagonally opposite corner.

 

A distinguished man was Provost Smith, a peppery

 

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irascible man, besides being a man of dignity and learning; and when he was put into jail for some months through a dispute with the Colonial Assembly, charged with having assisted a Judge Moore in the preparation of an obnoxious pamphlet, he used his time to excellent advantage, addressing with perfect composure and even nonchalance his classes, who gathered outside of the jail window, and becoming well acquainted with, and engaged to, the daughter of his fellow prisoner, Judge Moore, and marrying her shortly after his release. To clear his name, he then voyaged to England, and secured a royal order condemning in severe terms the unwarranted imprisonment; an order which was quite annoying in its effects, however, when the Revolution came and made royal favoritism unpopular!

 

A son of his marriage with Judge Moore's daughter Rebecca (Rebecca was a favorite name with early Philadelphians) had a daughter who as a little girl was given a calf for a pet; and when, like other calves, it grew to cowhood, the British, who had by that time attained the occupancy of Philadelphia and its immediate vicinity, captured it. This granddaughter of the Provost learned that the raiding troopers were of the division of Lord Cornwallis and so to the British camp she made her way, and was led to the general's tent. She was only some thirteen years of age, but demanded earnestly that her pet cow be restored. The general looked at her genially, but asked if she had no father or brother who could have appealed in her behalf, whereupon the little girl bravely

 

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replied that her father was then in a military prison in Philadelphia and that her brothers were with the Continental army. And at this Cornwallis, with all military courtesy, ordered that her cow be driven back and, as the girl thanked him and turned to leave, he handed her a little trinket, expressing the hope that she would pleasantly keep in mind a British officer.

 

Little Letitia Street used to be notable from its possession of what was known as the "Letitia house"; some years ago removed to Fairmount Park and now known as the "Penn house"; it being, supposedly, a house built by William Penn, and probably for his daughter Letitia. The house as it stands is not as old as the style of Penn's time, unless it has been somewhat altered; and it cannot now be learned, with certainty, precisely whether or not this was the veritable house after all. When people forget, deeds are the only evidence, and deeds, after all, give only land boundaries; and when a deed covers a tract containing several houses it is anybody's guess just which is some particularly sought-for house, or what is the age of a house, except so far as certain indications are usually evident as to this latter point.

 

Letitia Street has an undoubted association of another kind, one which shows that human nature is always essentially the same. At a little inn, long ago established in Letitia Street, and long since gone, a young man one day appeared and announced that he had sold himself to the devil, who was to come on a near-at-hand day and seize him, unless he could raise redemption money. The people were so impressed by

 

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his plausible plight that they actually raised, the money, and on the fateful day came with it and placed it on a table in the middle of the room at the inn, and then prayed; the number of ministers present being three. But, "The devil! The devil at the window!" suddenly cried the young man, interrupting the fervent prayers. At which everybody fled in wildest panic. And when, after a while, a few crept hesitatingly back, the young man, and of course the money, had gone.

 

One of the prettiest stories of old Philadelphia is connected with one of the smallest of the ancient houses of the city, still standing on Arch Street, between Second and Third. And the most delightful thing about the delightful story is the fact that Philadelphians are ready to fight, instantly and fiercely, if you speak of the story as true!—a story which a city of different idiosyncrasies would gladly grasp for itself. But there is a reason for this. For years, the story was so sentimentalized, so intensely oversentimentalized, in pictures and descriptions, as to give a disagreeable flavor. And, too, there was at one time some financial exploitation which touched the city's pride.

 

The actual story is sweet and homely. Elizabeth Ross, Betsey Ross, the widow of John Ross, a nephew of one of the Signers, supported herself for a time as a lace cleaner and by carrying on the business of her husband, who had been an upholsterer or "upholder," as the word was in those days. She did not long remain the Widow Ross, for a soldier named Ashburn married her, and after he was captured and

 

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died a prisoner in England, she was married again, this time to one Claypole, understood to be a descendant of Cromwell.

 

Congress, in June of 1777, voted for a flag of thirteen stripes, alternate red and white, with thirteen stars, white in a blue field. Washington was in Philadelphia at the time, over from New York on military business, and the committee which was appointed by Congress to carry out the idea consulted with him. He knew Mrs. Ross. She had cared for his lace cuffs, he knew her as a self-respecting, self-supporting woman, and he led the committee to her house. Under their eyes, Mrs. Ross cut and stitched, and soon the flag lay before them, the first of our Stars and Stripes!

 

There is no official record of her making that first flag. No importance was attached to the matter. To Betsey Ross it was merely, as we nowadays should say, "all in the day's work"; to the committee, and to Washington, it was just a matter of finding the best woman for the work. Philadelphians say that had it been Betsey Ross some claim would have been made earlier. But whoever it was that made that first flag made no claim earlier! And those who doubt that Betsey did it, I have no one else to suggest.

 

Old records, although none have been found referring to that first flag, show that Mrs. Ross was afterwards given considerable work by the Government as a maker of flags and colors, one single payment for some ship's colors being fourteen pounds and twelve shillings. There are traces for years, of

 

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her having won her place as a maker of national flags; and she was a woman of some substance, and of recognized position in business, in an age when women in business were rare.

 

At the time of the Centennial, in 1876, when everything Revolutionary assumed, in Philadelphia, new and great prominence, a grandson of Betsey Ross told of the flag-making, saying that when he was a boy of eleven, his grandmother, then Mrs. Claypole, told in his hearing the story of the making of that first American flag, under the very eye of General Washington. And at any rate, the very idea is picturesque, of the scene, that day, in the little low-ceilinged room of that tiny Arch Street house.

 

 

[One of the Ancient Alleys]

 

 

Chapter IX

 

Chapter VII

 

Table of Contents

 

 

 

 

 

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